Martin receives a phone call from his Uncle.
He is requested to visit as soon as possible.
The Uncle informs Martin of "Project NiBiRu" and insists it is not a myth.
He tells Martin a meeting with Barbora Kanska has been arranged in Prague.
Martin travels to Prague, but Barbora is not there as expected.

Talk with the Artist. He wants Martin to wait until he finishes his work.
Examine the Statue, and the Base of the Statue.
Look at the beautiful Moldau river, shimmering in the moonlight.
Talk to the Artist again, this time about Barbora.
He informs Martin that she was waiting near the statue earlier, but a
strange man came and she left with him.
Talk to the artist some more. Then buy the picture from him.
Examine (R-click) the picture in inventory.
Examine the base of the statue, and take the slip of paper from under the plaque.
Examine the note in inventory. It's from Barbora. She apologises for not being able
to wait longer, and says the Professor can tell him where she is.

Right click on the cell phone and talk with the Professor until he gives Barbora's address.

Look at the doorbells, and click on "B. Kanska" - third from the bottom on the left.
No-one answers. Try the other doors. "Have you any idea how late it is?"
"There is no room 31." . . "Sorry" . . etc. Finally someone lets you enter.
You cannot go upstairs until you learn where she lives.
Right-click on the mailboxes. Aha - apt. 17 - fifth floor. Take the lift.
Go to the door. Ring the bell. Strange - the lights go out, but no-one answers.
Try knocking. Nothing. Knock again until a neighbor yells to be quiet.

Try the stairs to the attic. Nothing doing.
Return to the lobby. Look at the bulletin-board near the entrance.
It says you will find the attic key on the highest floor, near the fire extingusher.
Return to the fifth floor, and examine the sign next to the fire extinguisher.
Climb the stairs to the attic. Turn on the lights.
Just below the light switch, take the dirty rag.
Take the rope, hanging on a nail.
There is a tall wardrobe standing in front of the window.
Pull out the bricks that are supporting the wardrobe. It collapses.
(I wonder why the people downstairs aren't whining about the noise.)
Look under the floorboards. Ouch! a nail. Look more carefully and take the marble.
Use the rag to break the glass in the window.
Use the rag again to clean out the pointy shards.
Tie the rope to the beam and climb down to Barbora's apartment.

Whack! Someone knocks out Martin, who wakes up after sunrise with a roaring headache.
The place has been ransacked. What were they looking for?
Examine everything. Look under the round table, and find the handbag.
Open it, and take the ID card.
Look at the computer. Someone else was trying to search it. Did they get in?
Go through the glass door. Oh no; she's dead.
What could she have known, that's so important?
Look at the washbasin. The murder must have washed his hands there.
Look at the cat (its at the foot of the bathtub.) Right-click.
On the collar, it says "Felix." That must be the password.

Enter "FELIX" into the computer.
Automatic scene: Martin finds the information he wants in the computer.
He talks to his uncle on the phone, leaves the apartment,
arrives at the Archive where Barbora worked, and talks to his uncle again.
From now on, he's on his own. Good luck!

Go up to the building, and enter the door. Talk to the guard.
He won't let you in without the correct documentation.
Try talking to the old man outside. He is feeding the birds, and ignores you.
Leave the Archive area and go to the Bureau. Try the door. It is locked.
Try talking to the guy sleeping on the bench. Nothing.
Exit to the left, to the Kiosk. Walk to the underpass.
The little brat upstairs throws down a lighted firecracker.
Talk to her, and bargain for the firecracker. Show her the marble.
Talk to the lady in the kiosk and buy some matches.
Return to the Bureau area.

Exit to the archives by going down the stairs at the right.
Use the firecracker on the old man, to scare away the birds.
Now his hearing seems to be much improved. He knows the ropes, and can help.
He used to be the guard here, and is the current guard's uncle.
All he wants is a bottle of good red wine, "not that crap that comes in a box."
Return to the bureau. Go to the kiosk, and buy a box of cheap wine.
Talk to the guitar player. He's not very accommodating.
Buy him a pack of cigarettes. now he owes you a favor.
What? All you want is an empty wine bottle from a beggar? Weird.
Take the bottle. Fill it with wine from the box. Ahh. good vintage!
Return to the Archive and give the wine to the old man.

He is pleased with the wine, and gives you his old ID card.
Talk to the guard inside. He is running out of patience.
Show him the ID card. He grudgingly agrees to let you in,
but don't expect him to admit to it if anything goes wrong.

Upstairs, use Barbora's ID badge to unlock her office door.
Look at her desk. Examine Felix's picture (R-click) and
move it to find the Pencil-Sharpener.
Examine the notepad. L- and R-click. An imprint is visible.
Take a Pencil. Sharpen it. Rub it on the notepad.
Take the page and read it. D3 - 47 22.
Look at the upper-left. She has a copy of Black Mirror sitting there.
Maybe that's what she plays when she's bored with work.
(The developers of Black Mirror also wrote NiBiRu.)
Examine the drawer. It's locked. Back away from the desk.
Look at the houseplant. It needs water, but never mind that.
Examine it further, and find the key inderneath the pot.

Return to the desk, and unlock the drawer. Take the rubber stamp.
Exit the desk, and look at the Computer. It wants a password.
Did you notice the cat's picture? It was upside-down in the frame.
Try her name backwards. xilef is the answer.
Martin reads her mail and prints out a copy.
Check the coat pockets just in case. Nothing; they are empty.
Go to the hallway. Use her ID badge on the document machine.
Immediately, use the note-paper with the code on the machine.
Take the NiBiRu Document from 1943. Examine it.
It's stamped "Streng Geheim." (Top Secret.)

Exit the building and return to the Bureau. Now its open.
Talk to the secretary. She can't come up with the desired information
until tomorrow morning at the earliest, maybe even the next day.
Martin must find some way into the office.
Try entering the office, and she says the chief is busy and
doesn't want to be disturbed.
Talk to her again, asking for a visitor-pass, and show her the document.
She still can't help until the next day.

The best way will be to get the secretary to go ouside.
Exit the building and talk with the guitar-playing beggar.
Ask him what kind of car the secretary drives to work.
Ah, a silver Mercedes, which is parked there on the street.
Examine the car, reading the license plate number.
Use the Visitor-Pass on the cell-phone.
She is convinced to move her car, and Martin can visit the Director.
He gets the permit to visit the Tunnel-complex.

He is allowed to enter, with gets strict instructions not to enter the tunnels.
Talk to the Major. Again the tunnels are forbidden, and the map is not for his eyes.
Walk into the complex. If you notice some mushrooms but can't pick them,
remember where they are, You will need them later.
Stasek is sitting on the step of the camper. Talk to him.
(He is the man in the picture you got from the artist.)
He doesn't appear to be telling the whole truth, does he?
Knock on the door to the Hut in the rear, and return to talk with Stasek.

Now you have several subjects to talk about - the Major, the Hut,
the camper, and the mines. (if the Hut contains nothing, why is he so nervous?)
Go further on into the woods. Talk to the soldier guading the tunnel.
After the conversation, talk to him once more.
Go to the Camper, and talk with Stasek about the mine.
Go to the Major's area, and talk with the Corporal.
Go to the mine and show your permit to the guard.
Finally talk with Stasek about the mine again.

It is night.
Go to the entrance and (automatically) talk with the Corporal.
Ask him why he isn't allowed to sit down.
Go to the tunnel entrance. You can't proceed because the guard might see.
Go to the Corporal again and ask him about the lighting and the generator hut.

Enter the camper-wagon. Take the can opener from the table.
Also take the two cans of beans from the sideboard.
Examine the coat. There is something in the pocket. A paper with code.
Go to the front again and talk with the Corporal. He is hungry.

Go to the stream and pick the mushrooms.
Enter the camper and light the stove with the matches.
Use the can opener to open a can of beans.
Add the mushrooms to the beans. Heat the beans on the stove.
Take the warm meal to the Corporal.
Go to the camper, then return to the Corporal.
He has a slight intestinal problem and will return soon.
This is your chance to look in the Major's tent. He is sound asleep.
Take the keys from his uniform pocket, and take the handheld radio from the shelf.

Go to the Generator Hut and use the keys to enter.
Take a coil of rope.
Take the hammer from the workbench.
Take the toolkit. Examine it to access the contents.
You have Oil, a screwdriver, some wire, a flashlight and a monkey-wrench.
Use the screwdriver to open the flap on the generator.
You hear a cellphone ringing. It's coming from the locker.
Use the hammer to smash the padlock.
Open the locker. Look in the locker. Oh my god - Stasek has been murdered.
Left- and right-click on him. His ID card says Petr Stasek.
Is it really him? He looks a little different.
Turn off the Generator. Turn it off again.
(Automatic scene) Martin hides under the camper
{oops progammers, if the generator is not running, the lights should be off here!}
Martin makes it to the Tunnel just in time.

There are two ways to go; left and straight. For now, go straight.
Examine the metal clip stuck in the wooden beam; then take it.
From this node there are three exits. Take the leftmost one.
You see a crate hanging from a chain, over a trapdoor.
To the right, examine the Opening. Then look at the pile of earth.
Then use the metal clip to dig. Take the wheel and use it on the opening.
Turn the wheel, lowering the crate. Take the Hook, freeing the crate from the chain.
Return to the corridor, and go to the rightmost exit.
Examine the water. Look at it again. Now look at it with the flashlight.
You discover an oil can floating, but can't reach it.
Combine the rope and hook. Use it to reach the oil can.

Return to the corridor and then return to the first node.
Examine the top of the barrel, and use the wrench to take the metal pole.
Go to the left exit, examine the landslide at the end, (twice) then
dig it out with the metal pole.
It's dark; use the flashlight. Yikes! Another corpse, this one has been here a while.
Take the medal pinned to his chest.
Left- and Right-click on the pocket to get the keys.
Return to the main corridor. Now it's time to take the center way.

Look at the mechanism on the door. The wheels seem stuck.
Open the little flap in the center, and use the Medal there.
In the German version:
The wheels are all pointing down; they all need to point to the right.
In the English Version:
The wheels must be configured to resemble the Swastika over the door.
The one on the right should point down, bottom should point left,
left should point up, top should point right.
Basically they should all point clockwise. (Thanks, plswdth, for the info.)
One really is stuck; it needs oiling.
Try the little oil can. It's empty. Combine it with the large oil can.
Now you can oil the wheel and turn it.

It is dark. Martin discovers an old lamp. Examine it twice.
Now you can use the matches to light the lamp.
Examine the large generator twice. Turn the left wheel
Examine the right wheel twice. It's stuck. Use the wrench to turn it.
No luck. It's too rusty. Oil it. Try it again. Use the wrench again.
Finally you can turn it, and start the generator. The switch is just above it.

Go down the hall. Read the sign - right to the Archives, left to the warehouse.
Actually there are three ways. The center one leads to a massive door,
with some kind of puzzle next to it.
To enter the archives, use the keys found on the soldier's body.
Oops - the key broke off in the lock. What now?
Let's try the warehouse. Whew! that key worked without breaking.
Examine the machine and the tank on the left side of the room.
Look at the crates on the right. Use the metal clip to open one.
Take some Dymamite. Enter the cage, and take a can of Kerosene.
In the far end of the room, take a flask. On the floor, find the battery.
Tip it over. and use the flask to take some battery acid.

Return to the archive door, and use the acid to destroy the lock.
Enter the Archive and examine the drawers.
On the left side, use the paper with code on the bank of drawers to open the correct one.
You find a small metal box in the drawer.
Go further into the archive area, into the Transmitter Room.

Go left to the corner, and look at the table.
Take the ruler and the small wooden box.
You can inspect the documents and the transmitter.
To the left of the transmitter in the little shelves, find the magnifying glass.
On the right side of the room, there is a lamp that is not lit.
Examine it to learn that the bulb is burned out.
Replace the bulb with the good one in your inventory.
Look at the curved groove in the floor. Something heavy must have done that.
Inspect the cabinet. Right and left click, so that Martin pushes it aside.
Look at the small opening in the newly revealed wall.
Enlarge the opening with the metal clip.
Place the dynamite in the crack. Try to light it. The fuse is too short.

Exit through the archive, straight across to the storeroom.
Take another stick of Dynamite.
Right-click on the dynamite in inventory, to take the fuse.
Return to the transmitter room and add the fuse to the Dynamite.
Now it's long enough to be safe to light.
The Dynamite explodes, but the wall is resistant, and needs more help.
Return to the main corridor, and find the rat hole along the right side.
Combine the little wooden box with the ruler to fabricate a trap.
Open the can of beans. Put the beans into the trap.
Place the trap at the rat hole.
Depart the area and return. A rat is caught in the trap.

Go to the storeroom and take another stick of Dynamite.
Open the trap to get the rat.
Fasten the Dynamite to the rat.
Return to the transmiter room and place the rat into the opening.
The door to the Secret Room opens.
Is this where Der Führer slept and made his plans?
Examine the various objects. Look on the table, just in front of the stack of books.
Take the Flatiron. Take the Diary. Read it (takes a while.)
Look at the bookshelves. Look at the Gramophone.
It plays Beethoven's Moonlight Sonata.
Exit into the main corridor again, this time going ahead into the center area.
You see a massive door, and a mechanism on the left wall.

Look at the mechanism. It's a triangular shaped puzzle.
Look in your inventory, and open the little box that you found in the Archive.
It's a collection of magnetic shapes. They must be arranged to fit into the puzzle.
One of several solutions is here: